The worst part about being in college is it feels like I’m doing a lot of nothing, but never in an environment when I can listen to music. It seems like I’m missing all the best things: I still haven’t heard Pvris’ new song, no I haven’t listened to A Day To Remember’s new jam, I didn’t even know Simple Plan had a new album – who knows what else I’ve missed while I was “out” and away from my headphones.
Sometimes it gets so frustrating, because I want to be up to date and I love having a rotation of CD’s in my car, but now I’m out of the house most of the day and my car’s CD player is broken! I’m surprised it hasn’t caused me more distress.
Just like reading, listening to new music is a luxury some of us (college students) feel like we can’t afford. But you probably have more free time than you think you do.
Listen to the radio
There’s nothing wrong with tuning into one of the many pop stations for your ride to work, because there’s plenty of great hits out there to enjoy. You’ll for sure come across things you don’t want to hear for the several dozenth time that day, but when you tune into rewind stations or hard rock stations, you’d be surprised what throwbacks and new songs come into your life. It’s usually a last ditch effort, but try pausing that Fall Out Boy CD you’ve played over and over again to see if something catches your ear.
Ask your friends for suggestions
This won’t always be the best idea, but worst case scenario you never listen to those bands. Usually you’ll find you have a lot more in common than you thought, and best case scenario you learn about a new musician you love!
It’s even more fun when your friends make you ‘mixtapes’ for the road.
Go back to your roots
Sometimes, new music isn’t the answer at all. It’s sometimes more comforting to go back and listen to a band you heard in concert last summer, or the first band you ever called your favorite, or just something that really gets you moving in the mornings. No one is going to criticize you for being behind the times. I also recommend movie soundtracks if you’re desperate.
All in all, it’s not so hard to find new music, even if you are falling behind on binge-listening your favorite bands’ new records. Just remind yourself to take a break once in awhile to enjoy the big stuff, and appreciate the little stuff when you’re less free.
What new songs have you been enjoying?
I have a new article coming up very soon (probably right after this one) but I wanted to take a moment and acknowledge that this website has been in in existence for four years now. FOUR YEARS! (Insert Four Year Strong joke here.) Something that was a pipe dream when I was a freshman in highschool turned into a series of unbelievable adventures and I am so thankful for that opportunity.
I can never say if I’m returning to this site for good, but I would love to make that promise. I went to a Neck Deep concert at Rocketown earlier this year, and I’ll be seeing Pvris and hopefully The Nearly Deads later on this spring. Between classes and my new position at Odyssey, I may or may not find the motivation to write more reviews. Something I’d like to consider is just a weekly update of what I’ve been listening to, so the website doesn’t go dead while I’ve got other plans.
All in all, I want to thank anyone who has stopped by over the years, and my parents for helping me get this together and taking me to all those concerts because I am STILL not 18. It’s been the craziest, most wonderful thing.
Back to music!
Three years ago I met a five member band called Tell Romeo i Hate Him at Rocketown, and promised to myself and to them that I would be quick about interviewing them. Time passed, and that never happened. Now, four of those boys (plus a new face, Bryant!) are Jet Black Alley Cat, and I had the immense pleasure of finally seeing them (Warped Tour 2014 doesn’t count!) in all their glory at The End in Nashville. And just like when “Poison” came out, I was not prepared for this show.
It’s an unpleasant truth, but I can’t remember being to a show where I genuinely enjoyed every single band, until now. I walked home with all four of their CD’s, and everyone who has been in the car with me at all in the last week knows that I’ve overplayed them already. I absolutely adored everyone who played.
Band: Dream Chief
Highlight: They are cousins!
Favorite song: “Electricity”
Dream Chief was a great band to start the night with, the duo made a perfect opener because they provided the atmosphere without having a demanding sound. Those not ready to dance could enjoy the music just by swaying.
They have an electro-pop sound that I would argue is even better in person. Every song was different, and I think that helped the crowd get more comfortable with what they would be seeing that night. I loved seeing John and Luke switch on the vocals and both of them handled different sound effects. It was really effective, in my opinion.
They played all four songs off of their Movement EP: “IDK Why”, “Math”, “Electricity” and “Who Knows”. All of these songs are really catchy: they can be head bobbing material or full out dancing if you feel adventurous.
Band: Charge The Atlantic
Highlight: They played a cover of “Shut Up and Dance”!
Favorite song: “Work Suit”
The first thing I thought about Charge The Atlantic was: “Someone told them they could be anything, so they did!”
They have a sound that is nearly impossible to label, unless “Funk // Rock // Reggae” works for you, which is proclaimed on their Facebook. At first I was apprehensive of the way they switched their sound around a lot. “Let It In” was a good first song, though, because it seemed the most shocking. The more songs they played, the more I enjoyed listening to them. They were so full of energy and style.
I loved that they brought Ty Christian, who features on “Work Suit” out to sing with them. I did not expect what was coming next, but I heard just a few notes of the guitar before I started jumping around. Some venues and audiences are really picky about covers, but their “Shut Up and Dance” was on point and created a peak moment in the crowd.
They brought more than just good music to the stage, though. The showmanship (and energy) required to make a several minute long bass vs drum solo entertaining is really outstanding. I was completely sold when they closed their set.
Highlight: The lights!
Favorite song: “Vices”
This band had my attention from the moment they assembled four box-high towers of different colored lights on stage. A “Rock | Soul” group, Vega seemed to fit right in with the first two acts while remaining wildly different. There’s something so alluring to their music, something dramatic that makes it so fun to listen to. They are high energy without being overwhelming, and at this point I was so ready to dance the way the music made me feel. Even the slower song, “Wild and Young” was compelling and fun to sing and sway along to.
Band: Jet Black Alley Cat
Highlight: All of it!
Favorite song: “High Class Women” definitely, or “Parking Lots”, or “Roxy’, or “Poison”…or “Memphis Blues”!
Jet Black Alley Cat will be your new aesthetic.
Seeing Joe walk on stage, channeling Brendon Urie with a gold shirt to match his microphone and stand and a disco ball in the back of the stage was almost too much. It’s such a transition from what I remembered, in a direction that is so good and so right for them. No one else has the sound that they do.
Their performance energy was so high and the crowd was so engaged in each and every song. Watching all of them, but most of all Joe, move around stage with such passion made me even more engaged in their music- which is very good music, mind you.
“Vintage / Rock / Pop / Groove / Dance / Cinema” is a pretty good summation, actually. Their music is great, but what is addictive is the way they perform it. I knew I loved them before, but seeing a full proper set with JBAC in all their glory was in short, an Experience.
Oh, and I caught (well, retrieved when it slid offstage) a drumstick!
Perhaps the most important thing about all of these bands, though was that they were all very kind to me when I stopped to talk to them or ask for photos. The life of musician is demanding in so many regards, but I think in Nashville is really depends on the people to keep their fans. All of these bands had the talent and the showmanship, but that means very little with a bad personality.
My only regret, in all honesty, is not having more money for merchandise.
So, if you get the chance, listen to each of these bands. And don’t stop at one song either. They are all more than worthy of your time.
I hope to see them soon, and hope you do the same!
On average during this summer, I haven’t woken up before 10:30 am. In its entirety, I don’t think I’ve woken up before 5 in the morning at all. But for Warped Tour, we do crazy things, and I’m not the only one. All across Nashville and surrounding areas, people were waking up as early as 4 o’clock (that I know of) to get in line for the renowned festival. The process for me consisted of showering, eating, and checking, double checking, and triple checking our supplies. After we reached our first destination, where we would be carpooling (recommended!) to the fairgrounds.
We had spent the entire week planning for rain, and with high hopes we expected light showers at the most, so the sprinkling that accompanied our walk at 9 a.m. to the line left us completely unfazed. The two hour wait until gates opened? That was a little more disheartening. Nonetheless, I watched eagerly as the first small, off-the-tour bands started walking the line to sell CDs. The first to approach was Danny from Vanity Strikes, who found his way to us by the matching t-shirt my girlfriend wore. The second took more effort on my part: I had to flag down a member of The Residence to get a listen, but it was worth it.
Then word travelled down the line: we were moving to the tunnels and the stadium to hide from potential storms while the Tour finished setting up. The chaos that ensued from that point until we lined up at the gates was fast paced and muggy. By the time we approached the divide between the outside world and Warped Tour, there was no doubt that the rain was going to be a problem. That didn’t stop bands from going out and promoting themselves, like Koo Koo Kanga Roo who carried four foot replicas of their face on poles.
Gates opened nearly an hour early to make concessions for the incoming weather, and I quickly and frantically found my way around the fairgrounds trying to keep my program from getting wet. My girlfriend and I pick up some flyers and a sign to promote The Nearly Deads as we checked signings and confirmed set times. I went from Keep A Breast to Neck Deep to Music Saves only to end up with Hope For The Day to purchase a wristband for the signing. They were all very nice people and you should look at all the organizations at Warped Tour dedicated to making a difference in the community.
But as I made my way back to return the sign I was informed that the Nearly Deads had gone on early, just before I arrived! I bolted over there to enjoy the show, making it before the first song was over. Although cut short and without either of the songs I was hoping for, they put on a wonderful, entertaining show. The crowd was even bigger than last year. It’s really exciting to see the evolution of the faces around me as The Nearly Deads get more popular.
Because I didn’t want to be up close for Our Last Night, I spent 6$ on a huge snow cone and sat off to the side, so my girlfriend could still see and I could still see. Not fifteen minutes after a warning from my father and seconds before the band walked on stage, the fairgrounds were evacuated. Slowly and stubbornly we made our way up to the banquet hall, a nearby building, for shelter. We made it before the rain began, but others were not so lucky.
As I relinquished the weight from my feet and began eating my sandwich, people began to walk in with soaked clothes. Some seemed unshaken, simply taking their shirts off to dry and laughing it off. Others walked in shame across the room with makeup and hair dye dripping down their skin. I knew I could have laughed it off, but I couldn’t help the pity I felt toward them. I wanted to reassure them and help, but I had nothing but tissues to offer. Instead I turned my head and tried to be as respectful as possible.
We were stuck in the building for as long as the rain held us, and it was quickly obvious to everyone that we needed pick me ups and fast. At first, people started to whoop and holler for morale, but that was both annoying and not very effective. So instead they organized a giant game of ninja, which turned into duck duck goose and ended in a giant production of the Campfire Song Song. It took nearly half an hour to squeeze out of there, and I am embarrassed to admit someone had the bright idea of condom balloons. Yes. That happened.
It was raining as we walked back down to the entrance, and I got stuck with two bags under my poncho, while my girlfriend stood hopelessly in the downpour. We made it back to the bridge, halfway through the venue, before we were turned around again. It was obvious that we weren’t seeing Our Last Night, and the PVRIS signing had been canceled. Things looked increasingly dim, especially after the second evacuation was canceled halfway up the trek.
All of the set times were changed, most of the signings were abandoned, and the rain kept coming. Mud began to form in the frequent grass pathways, and while I was safe with my combat boots from water and dirt, my girlfriend complained ceaselessly about the struggle. Using the bands that were currently playing, we devised a rough estimate of when every band would be playing. Cutting the bands out that we couldn’t see, we were left with five things: PVRIS, Our Last Night’s signing, Neck Deep, Neck Deep’s signing and Memphis May Fire.
I have never been more frozen than when Lynn Gunn walked right in front of me to prepare for PVRIS’ set. Part of me wanted to launch forward and tell her how much I admired her and how I wanted to interview her band, but two parts of me were scared, intimidated, and knew she was in a hurry. The water had sent everyone into an anxious, scattered haze and I didn’t want to be that fan. My girlfriend saw her as she rounded the corner and we just looked at each other. That did not just happen.
Pumped by her appearance, we found a spot in the crowd to see PVRIS. Notable mention to The Beautiful Bodies, whose amazing sound I could hear from the nearest stage! I’ve been to a lot of concerts by now, and I’ve seen lots of live videos. I have never been so impressed by a band’s live performance, and never before have had I thought a band actually sounded better live. But the members all brought so much energy, and I was surprised at Lynn’s vocal flexibility- hearing her live growl was a religious experience. I knew then I was sold for life.
As my girlfriend parted for her Our Last Night signing, I waited hesitantly with a small group for Lynn to return from the stage. I couldn’t tell if the others were nervous, but I didn’t want to annoy her, take too long, or interrupt her day. My face was scrunched up in worry, and when she walked out I didn’t know how to react. I waited patiently, spoke to her as a journalist and then waited for everyone else to go before talking to her as a fan. She is one of the most genuine, kind, beautiful people I have met in the scene. Afterwards, I briefly spoke to The Beautiful Bodies, who are also amazingly sweet people.
Waiting for Neck Deep, I reflected on last year, when I only knew one song that brought me to tears. This year I knew all but one of the songs played, and I was surprised when even my girlfriend who doesn’t like them mentioned she thought they were great live. They are so energetic and interactive. So many people were crowd surfing and reaching for Ben Barlow. I was blown away that the fans were able to sing Laura Whiteside’s part during “A Part of Me”. It was surreal. The members themselves were also really kind when I went to the signing.
In the hour between the signing and Memphis May Fire’s performance, the pull of exhaustion got heavy and I felt the headache sink in. My boots were caked in mud, my feet were already beginning to bruise (as I’d learn later) and the ground was wet. It was miserable, but I knew that I had to wait it out. I caught the last part of Blessthefall’s set and was amazed at how Beau managed to control two crowds, the one in front of him and the one waiting for Memphis May Fire’s arrival. And honestly, even from the back of the crowd Memphis May Fire put on a great show. Matty Mullins’ clean vocals are absolutely pristine, and the band as a whole gave a wonderful performance despite the long day and late performance. I was very tempted to do some crowd surfing of my own, because it was such a strong impressive pit, but I opted out of it.
The drive home was done in two parts, the second being where I had to drive. After only eating a sandwich all day, I have never been and will never be so incredible ecstatic to have Wendy’s. Still better than buying food from Warped. All in all it was a really good experience, and if anything, the rain was just a memorable inconvenience. Sleep, however, was inevitable.
No matter the date, drop a comment about your 2015 Warped Tour experience!
all photo credits to Lauren if not specified
Last year was my first Warped Tour experience, and while I made it through alive, I missed several opportunities that I wish I hadn’t, and this year I’ve made sure to be more prepared. Experience is wisdom, and all of that. Well, something like that.
Entering the line last year I learned two things: it is going to be awhile, and talking to people is the best thing you can do. You learn who is there for what band (sometimes the same bands you’re there for) and you meet the “starving artist” bands who are playing their music through headphones and boom boxes alike. Don’t push those musicians away. Listen to their music, buy it if you like it, and support them. They will appreciate you and you’ll thank yourself later.
If you’re there for bigger bands and your 5’4, you’re going to have a problem. If I wanted to see a bigger “Unicorn” or “Shark” band (the Kia stages in 2014), I would either have to get there early or settle for not being able to see…anything. I was ten minutes late to Mayday Parade and couldn’t see above everyone, and when a band sounds just as good as the record, it’s less enjoyable just to sit around listening to them. And when you’re that small, it’s actually very hard to push your way through the crowd.
The first thing you do is check set times. The second thing you do is check meet and greet times. There are some bands that meet within the first few hours and if you put off checking you’ll miss them entirely. This is what happened to me when I wanted to meet The Summer Set and it’s one of my biggest regrets of that day.
Obviously, bring a good sized water bottle and eat before. The food isn’t worth the money, and you’ll end up spending it all on bands anyway. Don’t forget sunscreen, and tell people when you like their shirt or hair. It’s a good feeling.
At this point in my life, big bands are not even exciting to me. I like being in the front of a crowd, I like being able to wave at the band and I like supporting bands who aren’t that big. Yeah they’re good and popular, but that’s exactly why I don’t care. I’ve heard about them, I’ve heard them, maybe I’ll stop by. What I want to see is the ones that aren’t household Warped Tour names.
PVRIS (pronounced Paris)
Fronted by Lynn Gunn, this band captured my interest by being female fronted, first and foremost. The first song I listened to, “My House” immediately set the band on a different level from the long list of Paramore sounding pop-punk bands led by girls that I had been overexposed to. The electronic feel of the song and Lynn’s powerful voice made it easy for me to enjoy the song. But after listening to the rest of White Noise, I realized something with fear. The sound, while different from other bands, is really similar throughout PVRIS’s music, and Lynn’s lyrics have repetitive themes making it hard to be wholly interested in the band.
The only thing that could save them for me is their stage performance. Most bands stay forgettable, hidden in my music library because they left no impression on me. PVRIS gets the chance of impressing me, and I hope they do. Their music is good, but I’m not sure that I’m ready to dedicate myself as a fan of the band (I’ll be a fan of Lynn and her girlfriend though). We will see.
Last year, when I went to see Neck Deep, a pop-punk band out of the UK, I only knew one song. I waited awkwardly through songs I had never heard before to hear “A Part Of Me”. I was not disappointed by the energy they brought, and when that song came on I couldn’t do much but stand there and cry. I had been moved by the song one night in a hotel bathroom and since then it had resonated with me. I went and bought a CD and took it home with me. While not every Neck Deep song appeals to me- some are too chaotic and hard to follow-, the ones I enjoy mean a lot to me now.
More familiar with their music, I am prepared to be part of the moving audience and energetic experience of seeing them live. I hope to meet them and get another CD. The style isn’t for everyone, and the accent can be off putting, but for me it was never a question. I definitely enjoy them and expect a lot out of them again this time around.
From the featured music video, “Road To Paradise” alone, I’m beyond excited to see what else British punk-rock trio has in store. The beginning of the video addresses the sexism of the music scene with “but why do you want a drummer good especially for a girl you just want a good drummer” and that’s where I was sold for their personality. I was happy to know that Tatiana could bring that tough and sassy personality into their music. Another unique female-fronted sound that hopefully won’t disappoint live.
Our Last Night
Usually I would pay no attention to a post hardcore band playing Warped Tour unless I was already familiar with them, but after seeing how excited my girlfriend was about their appearance I decided I would take the time to acquaint myself with them. The first thing I noticed is the way they blend. The clean vocals are not unbearably contrasting to the screams; the range is just as good by any but it’s less…feminine, dare I say, than other bands. In “A World Divided” the beautiful introduction and melodic verses flow just as well as the breakdown; I don’t feel like I’m being whiplashed or overwhelmed at any point. A band with such good intentions and such a great sound should have a great stage presence to match. I’m sure they will.
The Nearly Deads
It’s no secret that I am extremely biased toward the Nearly Deads and have been since meeting them in 2012, but after a nationwide tour this year they’ve grown to be a big name in the scene, and Warped Tour is always a good opportunity for bands that are gaining speed. The “polished grunge” group may quickly overshadow female fronted bands that paved the way for the sound they’re dominating. It’s a plus that they give a great performance and are incredibly nice people!
As always, I never put it out of my mind that there will be other bands there that I will stop to hear and fall in love with. Last year it was Beebs and Her Moneymakers. This year, who knows.
If you see me there, say hi and support a band!
After a cryptic, six second, Morse code video was released on Fall Out Boy’s VEVO, the entire world wanted to know what it meant. The band was quick to enlighten us – although not their blackened social media icons: “Centuries”, their next single! They just finished off touring Save Rock And Roll and apparently the pop-punk quartet, who are notorious for experimenting with new styles, had been writing on the road!
If the quiet chanting in the beginning sounds eerily familiar to you, that’s because it should be. Not only is it the well-known melody from 1987 hit “Tom’s Diner” by Suzanne Vega, but it is sung by someone most Fall Out Boy fans will recognize: the very same LOLO that performed “Miss Jackson” with Panic! At the Disco on Too Weird To Live, Too Rare To Die! I recommend you familiar yourself with the original if you haven’t already; homage is kind of why they featured the bit.
I listed the lyrics below because I feel they, like most Fall Out Boy lyrics, are a defining feature, and I’m more happy with this song than I was for most of Save Rock and Roll. Feedback? Here’s the song
After this familiar segment, it cuts right into the powerful, chanting chorus with and pretty piano melody in the background along with clapping in the form of quarter notes.
“Some legends are told
Some turn to dust or to gold
But you will remember me
Remember me, for centuries
Just one mistake
is all it will take
We’ll go down in history
Remember me for centuries”
The verses follow Fall Out Boys reliably unpredictability, with an unique rock vocal style backed by a pop beat.
“Mollify my teenage dreams
No, it’s nothing wrong with me
The kids are all wrong
The stories are off
Heavy-metal broke my heart
Come on, come on, and let me in
Bruises on your thighs like fingerprints
This is for tonight, the darkness that you felt
I never meant for you to fix yourself”
The first verse was my favorite for no particular reason, although I love the word mollify.
You have to enjoy that strange thing Patrick does to the word amnesia. More of that Fall Out Boy spontaneity.
“And I can’t stop till the whole world knows my name
Cause I was only bold inside my dreams
Until you die for me, as long as there’s a light
My shadow’s over you cause I, I am
the opposite of amnesia
and you’re a cherry blossom, you’re about to bloom
You look so pretty but you’re gone so soon”
The most interesting part of this song’s lyrics is the big bridge,
“We’ve been here forever
And here’s the frozen fruit
I could scream forever
We are the poisoned youth”
If you consider the post Fall Out Boy made on their website when the song was released, it’s really interesting that you can connect their biblical reference of David and Goliath to these lines. At least I think so.
All in all, the song speaks for itself. The vocals, the interesting use of backing sounds and instruments, it seems like it should feel generic but it’s so unique Fall Out Boy. It is an experiment. It is an anthem. It is a promise from Fall Out Boy, but also a call to action. Pick up your weapon, no matter what style or denotation, and fight with it.
Oh and seriously, what is up with the thing on the wrist of their cover art?
What do you think?
I don’t know what I was expecting from Jet Black Alley Cat, but it wasn’t their first single “Poison”. Nashville-based pop-rock band Tell Romeo I Hate Him took on the new brand to better represent the music they were making, and while I love the name, I wasn’t sure what that entailed. Well, it means apparently means energy and spunk because that’s what this song is; upbeat and full of musical flavor. The colorful music video really reflects the song’s energy of a dancehall groove that I hope isn’t unique to this one track. I’ve already got it on repeat and I hope to hear more from them soon!
If you want to check them out, go like them on facebook, follow them on twitter, or go watch them play in Nashville on June 28th
Nashville-centered rock band Navaeh (“Pronounced: Nuh-Vay-Uh”) released a new record And Then.. There Was One last fall, and it is definitely the one to get into. It was unique to hear, because instead of the common rushed, frantic-type sound that most rock bands of this generation seem to have, itt’s paced and balanced without falling back into the “soft rock” category. I loved how it was powerful without being overbearing, and how there was an equilibrium between the instruments and vocals.
I think the tracklisting was pretty important, because it builds up with each track, but while there aren’t any songs that sound like each other, you don’t get any of in-your-face transitions. Although “Let Go” isn’t the driving force the rest of the tracks are, it feels like an introduction, slow and simple. The minimalist instruments complement the lyrics “better off with my head in the cloud, than standing with my feet on the ground”, actually giving it an above-the-clouds feel. The chorus of “Unsatisfied” is both powerful and catchy, and the intro for “Climb” is rhythmic and one of my favorite instrumentals from the EP. “Face The Lies” is the strongest vocally in both verse and chorus, and “Doesn’t Matter” has an underlying 90’s punk sound that I really enjoyed.
All in all this was a refreshing, easy listen. Thanks guys!
I won’t even try to pick a favorite from this record, but if you want to let me or them know, comment below or go visit them on some form of social media!
When I began getting into the post-hardcore scene last year, one of the bands I really connected with was Memphis May Fire because of the vocalist Matty Mullins’ lyrics. The first song that stuck with me was “Prove Me Right” because I loved the perspective and how the anger was channeled in a more mature manner- the angry profanity of most bands gets old extremely quick. But that was just one of their songs, and all of them seemed to strike a different chord with me.
I almost hadn’t realized they were working on new material when their second single, “Sleepless Nights”, was released on YouTube. When I heard it, I felt a stronger pull to it than I had any Memphis May Fire song, and it wasn’t the instrumentals. It’s the lyrics, and the way they’re sung that had me captivated when I listened to it.
I’ll try to only highlight my favorite parts- although the whole song is pretty great.
“I know that I would never jump,
So why can’t I step back from the ledge?”
I really like that part of the verse because I know a lot of people feel this way. Especially as a teenager, when things get difficult you feel yourself being pushed to the limits but you know that you want to keep going, you want to feel happy again. It’s helplessness.
But it’s the first chorus that gets me the most
“Why am I terrified of everything I used to love
Save me from myself I don’t want to hate who I’ve become
Why is it so hard to breathe
Why isn’t this working?!”
There’s something about the uncontrollable emotions that take hold of us sometimes. They change us and shape us, and even when we acknowledge it, it seems like it never gets better.
“Tell me that tomorrow when I wake up I’ll be fine,
I just want to be myself again
I want to know that I’m alive”
It’s a complicated situation to be in as a person, and I was dumbstruck to hear it put down in music with such emotion. The ending surprised me but I really love it.
“Please give me peace
Give me joy
Give me sanity!
Give me hope
Give me love
Give me truth.”
It’s like a plea, and I think the desperate ending is kind of appropriate. I remember just standing there after the song was over, still hearing the words in my head.
I’m really excited to hear Unconditional; Memphis May Fire did great with Challenger but I want to see where they go next.