Punk Goes Pop 5: Hit Or Miss?
Last week, a video uploaded by Bryan Stars brought up the question: Why is Punk Goes Pop so popular? “I think it’s because, as music fans who genuinely love like punk music, we don’t understand why people like One Direction and Justin Bieber and all the other garbage we hear on the radio, and we love it when they take songs that everyone else like, and actually make them god. Because then we can actually understand ‘oh that’s why they like it.’”
This is almost the perfect explanation. Punk Goes Pop takes songs that we all know (even if not by choice) and gives them more personality and spice that we personally can relate to because we like these bands. We like to show that our favorite bands can take a Jason Derulo, Lady Gaga (although I am guilty of actually liking her), or even a Miley Cyrus song and give it a bass drop or make it faster, when most pop musicians just can’t take a Breathe Carolina or A Day to Remember song and cover it.
From the first to the fourth I have been in love with 95% of what comes out of Punk Goes Pop. Most of them turn out to be amazing. Reviewing the two released songs of Punk Goes Pop 5, I’m questioning whether or not the album will turn out to be a huge success, or will the masses of “punk” lovers turn away from it?
The first song I listened to was Upon This Dawning’s cover of “Call Me Maybe”. Being unfamiliar with the band, I took a minute to scan through a couple of songs. I have one word: Hardcore. It’s farther away from punk than most rock genres, but that perception was skewered a while ago, so I judge little on that. In a nutshell, this cover is also hardcore. I present this argument: the lyrics themselves were meant for little more than a colorful rock song. The constant screaming leaves little more for Punk Goes Pop fans than to smirk at how much ‘better’ this genre is than pop. Radium…is not impressed.
Memphis May Fire picks up the slack with Grenade. The verses and choruses are a rock-ified version of Bruno Mars’ original, with Matty’s vocals adding personality with vocal runs and the screaming during the bridge’s drop. The lyrics fit with an angry-yet sensitive rock musician, and the instrumentals are great. I like this cover.
So, with two covers of different styles (and for me, different opinions), and songs from recent radio “Glad You Came” covered by We Came as Romans, “Boyfriend” covered by Issues, and “Payphone” covered by Crown the Empire, and older songs “Billie Jean” covered by Breathe Carolina and “Girls Just Want To Have Fun” covered by The Maine- this new Punk Goes Pop could go any which direction. What do YOU think?